Art Collective


An interactive stop-motion animation installation

Ecognosis, a riddle. Ecognosis is like knowing, but more like letting be known. It is something like coexisting. It is like becoming accustomed to something strange, yet it is also becoming accustomed to strangeness that doesn’t become less strange through acclimation. Ecognosis is like a knowing that knows itself.

Timothy Morton

The interactive stop-motion animation installation Ecognosis N 52° 21’ 39.207” E 4° 41’ 49.702" is inspired by Alan Weisman’s book The World Without Us. In this book Weisman describes how nature takes over everything in different places in the world after the disappearance of human life. We depict this idea through the projection of stop-motion animations of insects and plants on the world, as we know it. We would like to invite the visitor to interact with the installation. The insects and plants will react on the position of the visitor and the sounds the visitor makes. We emphasize with this installation that humans are a part of nature and that we are in constant interaction with our surrounding.

Concept, design and stop-motion animation: Erin Tjin A Ton

Concept, design and stop-motion animation: Gosia Kaczmarek

Advice and production stop-motion animation: Martine Rademakers

Soundscape: Evelien van den Broek

Soundscape field recordings: Fred Zeillemaker/Macaulay Library at the Cornell Lab

Assistants stop-motion animations: Sanya Gurung, Simone Dunye, Alexandra Nicolau and Sjors de Bruin

Furniture: WoodWorks

Photography: Moon Saris, Eddy Wenting and Chun-Han Chiang

Archival footage: De man & de vos and Chun-Han Chiang

Technical advice: Performance Technology LAB & Federico Murgia & Gertjan Biasino

Graphic design: Mainly Afternoon

Media articles

Review - Theaterkrant A. Embrechts Open

Watch Trailer


A new ritual

Rituals resemble stones; they are imperturbable, unalterable and self-contained. Rituals are the exact opposite of human indefiniteness. Rituals release the participants from their daily questions and insecurities. Rituals can tame emotions without suppressing them. Rituals clasp the individual in the firm grip of the group. Rituals communicate that which nobody is able to express or understand. Rituals assuage the desire for meaning through their perfect form. Rituals give the person something to hold on to as compensation for his/her lack of ‘completeness’.

Walter Weyns

Concept, design and performance: Erin Tjin A Ton

Concept, design and performance: Gosia Kaczmarek

Choreography and performance: Magda Ptasznik & Anastasia Kostner

Standby performance: Goda Žukauskaitė

Soundscape: Marcel de Rooij

Costume design: Q Hisashi Shibata

Seamstress: Daisy Lee

Fountain installation: Karel de Boer

Cameraman and editor 2019: Veldtwerk films

Cameraman and editor 2021: Konstantin Guz

Photography flyer: Niels van Veen

Photography performance 2019: Moon Saris

Photography performance 2021: Chun-Han Chiang

Graphic design: Mainly Afternoon

Production: Michelle den Hollander, Py Tswang Jin and Ruta Preibyte

Translation: Alphabet Town

Watch Trailer


A theatrical paper installation inspired by Franz Kafka

The phone is ringing non-stop. Letters are piling up. Files are untraceable... How can you achieve something if you don't know what the purpose is? In Paperwork BetweenTwoHands builds a paper refuge for Franz Kafka: the office clerk who wrote masterpieces to escape his oppressing reality at night. Kafka’s world of thoughts between court letter and fantastic masterpiece are transformed in paper objects. With one single fold, a world can appear, or disappear.

Concept, design and performance: Erin Tjin A Ton

Concept, design and performance: Gosia Kaczmarek

Theatre director: Anna Verduin

Animations and shadow puppets: Klaske Oenema

Sound design: Marcel de Rooij

Cameraman and editor: Ruben Pest

Fotographer: Nick van Tiem

Fotographer at Over het IJ Festival: Tudor Bratu

Graphic design: Mariusz Kaczmarek

Media articles

Interview - Wereld van het poppenspel M. van Ditzhuyzen Open
Arlyn award - Theaterkrant J.Beeckmans Open
Paperwork report - Theaterkrant B.Cnossen Open
Ruth van der Steenoven award - Theaterkrant J.Beeckmans Open

Watch Trailer


A miniature laboratory

A miniature object theatre in which poetic experiments are conducted. Duodenum is about the diversity of the feasibility of society. It explores the interaction between how people make things and hybrids on the one hand and how these things and hybrids affect people on the other hand. The viewer is witness of a series of strange experiments conducted by a doll in a laboratory.

Design and performance: Erin Tjin A Ton & Gosia Kaczmarek

Theatre director: Anna Verduin

Sound design: René Thie and  Kaveh Vares

Media articles

Duodenum Interview L.Loorbach Open

Watch Trailer

Camera: Eefje Vaghi

Editing: Ruben Pest

Sound design: René Thie and  Kaveh Vares


A miniature object theatre

In a setting of 40 by 30 centimetres in which objects predominate, we see the musings of a lonely man. Inspired by A Thief’s Journal, a novel by Jean Genet about the dark side of existence, Erin Tjin A Ton and Gosia Kaczmarek took the loneliness of the protagonist and used it as guide line for The Journal.

Design and performance: Erin Tjin A Ton & Gosia Kaczmarek

Theatre director: Anna Verduin

Sound design: Ernst Walgenbach

Media articles

The Journal Review E.Nederkoorn Open
The Journal Review - Theaterkrant B.Cnossen Open

Watch Trailer

Camera and editing: Thomas Ravestein

Feel Free To Contact Us 

Erin Tjin A Ton

Artistic and Business Director

Gosia Kaczmarek

Artistic Director


  Stichting BetweenTwoHands

Piet Heinkade 233
1019 HM Amsterdam
The Netherlands
KvK: 76122727

Board Members

Berith Danse


Marijke Eckhardt


Conny Brak


CV & Annual Reports

BetweenTwoHands CV Open
Annual report 2021 Open
Annual report 2020 Open
Annual report 2019 Open